Every ceramic process carries its own rhythm and possibilities. I move between handbuilding, nerikomi, and slip casting, choosing each technique according to the ideas I want to explore rather than following a single method. Together, these processes allow me to investigate memory, material, and human connection, balancing precision with intuition and tradition with experimentation.

Woman holding a dripping block of cheese over a white bowl in a kitchen or workshop.
Person carving a pre-hispanic design into a ceramic vase with a pink carving tool, wearing an apron and having carving and pottery tools nearby.
A workspace with art supplies including paints, brushes, a color palette, and a painting of concentric squares in yellow, red, black, and gray on a white surface. There are also paper, a ruler, and a container with water or a liquid for cleaning brus
Person shaping a ceramic cactus sculpture in a studio workshop.
A woman working on a wooden sculpture in a workshop, surrounded by craft supplies, with shelves and windows in the background.
Several white rectangular ceramic tiles with handmade textures are laid out on a concrete surface outside, next to a beige and white wall with some grass nearby.
Art supplies on a table, including paintbrushes in a container, paint jars, paper with geometric designs and colorful paintings, and tools for painting.

Nerikomi

Mold-making

Slip-casting